By Mark Galer
Using a different mix of step-by-step initiatives, motion picture tutorials and pattern pictures, Mark Galer publications the reader in the course of the strongest picture modifying instruments that parts has to offer. Discussing and demonstrating the abilities and know-how to create professional-quality effects with this budget-priced software program. no matter if optimizing images for printing, improving pictures for optimum influence, or growing remarkable, seamless montages, this e-book will allow any aspiring electronic specialist to get the utmost functionality from the credits crunch authorized software.
The package deal is complted with an astonishingly entire DVD jam-packed with over 7 hours of motion picture tutorials, a hundred+ pattern pictures, a inventory photograph gallery in addition to computerized activities to get much more out of the software.
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Additional resources for Adobe Photoshop Elements 8: Maximum Performance. Unleash the hidden performance of Elements
In the image above, the camera’s ISO was set to 6400 (a Nikon D700 DSLR). Both luminance and color noise are evident when the image is viewed at 100% and the Color Noise slider is set to 0. When cameras are set to 100 or 200 ISO it may be possible to leave the Luminance slider at 0 as noise will be low or non-existent. Most files (even the ones captured at low ISO settings) benefit from a small amount of color noise reduction. Be careful not to apply too much, though, as this will steal color from the finer details within the image.
2. Click on the highlight clipping warning above the right-hand side of the histogram to locate the clipped highlights. Note how some of the clipping is due to saturated colors rather than overly bright highlights. Zoom in to 100% and focus your attention on the front of the tram (the brightest highlight in the image). 5 and 1 stop). To remove all of the clipping you will need to employ the help of the Recovery slider. 49 Part 1: Optimize 3. The shadow clipping can be removed by raising the Fill Light slider to +35 and lowering the Blacks slider to +2.
To recover a little more detail in the water, select the Levels 1 adjustment layer mask. Select the Brush tool (press the letter B) and set white as the foreground color. Lower the opacity of the brush to around 30% and use a large soft-edged brush. Paint the water to reveal darker tones and more detail. The more you paint, the more detail you see, as you slowly remove the black mask in this area, allowing more of the top layer (the darker exposure) to be visible. 14. If any of the rocks need dodging (making lighter) or burning (making darker), click on the Create a New Layer icon in the Layers panel.